{"title":"Three One G Records","description":"Three One G Records","products":[{"product_id":"the-crimson-curse-both-feet-in-the-grave-lp","title":"The Crimson Curse – Both Feet In The Grave lp","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396857688\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\n\u003cp\u003eThe Crimson Curse – Both Feet In The Grave lp\u003c\/p\u003e\n\u003cp\u003eNobody in The Crimson Curse knew what we were doing at the time of the band. We had so many strange ideas, which all amounted to a brief stint in time. I’m not sure why, but initially we started the band, wrote the material for our first record, and were really set on getting a straight edge record label to release it, all in the matter of a couple months. However, no SXE labels were “cutting edge” enough to take a liking to us, so we somehow talked our friend Mark Waters to release it, who at the time ran Goldenrod, a local San Diego label. We were certainly an odd band for the label’s primarily indie rock roster, but Mark was and is one of the raddest people I’ve ever met, and for some reason he had so much enthusiasm towards our band and towards releasing our album. For the most part, we were use to having nothing, no support, no help, and Mark seemed to have it all: a van that he drove us to shows in, he let us do whatever we wanted as far as packaging, and even got us free skateboards.\u003cbr\u003eWe opted for the silk-screened one-sided clear vinyl thing, threw an image of a bunch of insects on it, and had a screening party at the house that is now known as “Locust House,” due to Adam Gnade’s book. Mark had us recruit a few friends to help print, he showed up with a ton of pizza, and in no time every flat surface of the house was covered in creepy insect silk-screened records. As much as we wanted to have a really really bad attitude, we just really wanted to mess with people and try to push people’s buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInitially we set out as this pseudo-Misfits type band, but that eventually morphed into an all out absurd-whatever-goes-that-is-sketchy type vibe, which usually resulted in a bunch of people, including band members, being completely naked at shows. Not to mention the crowd started to show up in various costumes, mostly in drag. Somehow none of us in the band died, we managed to play a handful of shows in a few states, and then we called it quits for reasons unknown. Shortly after the band stopped, Goldenrod also stopped, so Three One G took the opportunity to repress the album with slightly different artwork and packaging, along with silk-screen variations and colors for the vinyl. What a strange bunch of people we were. I wish the band had still gone on.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45436674081060,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/tcc.jpg?v=1686240143"},{"product_id":"cattle-decapitation-human-jerky-12","title":"Cattle Decapitation – Human Jerky 12\"","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2840095831\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eCattle Decapitation – Human Jerky 12\"\u003c\/p\u003e\n\u003cp\u003eOriginally Three One G’s 22nd release, “Human Jerky” is the 1999 debut album by San Diego’s most beloved and brutal death metal band, Cattle Decapitation. This iteration of the band is vocalist Travis Ryan, The Locust’s Gabe Serbian as guitarist, and Dave Astor on drums. Summoning the evil spirit of bands like Carcass and Gatekeepers like Zuul, this nonstop blastbeat onslaught encapsulates arguably the most brutal and certainly the most grindy elements of all of Cattle’s now extensive and impressive discography. This is a revelatory release for Cattle fans who might not be familiar with the band’s goregrind origins.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45436693676324,"sku":"","price":24.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/cdhomovore.jpg?v=1686240442"},{"product_id":"get-hustle-dream-eagle-12","title":"Get Hustle ‎– Dream Eagle 12\"","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4104652652\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGet Hustle ‎– Dream Eagle 12\"\u003c\/p\u003e\n\u003cp\u003eEnlightened by furious melodies and by frenzied lyrical and musical option, Get Hustle reveals distinct and impressive visions within the darkest dominions of today’s sounds. Valentine brightens the path; her voice is a torch. Maxamillion, Mark, and Mac follow landscape – passionate, disconcerting, and sorrowful. Previous to Get Hustle, some of the members have played in renown bands such as Antioch Arrow, Heroin, Final Conflict, Holy Molar, and Glass Candy. \u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45436713271588,"sku":"","price":10.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/ghde.jpg?v=1686240706"},{"product_id":"various-release-the-bats-the-birthday-party-as-heard-through-the-meat-grinder-of-three-one-g-2-xlp","title":"Various ‎– Release The Bats: The Birthday Party As Heard Through The Meat Grinder Of Three One G 2 xlp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3729772122\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eVarious ‎– Release The Bats: The Birthday Party As Heard Through The Meat Grinder Of Three One G 2 xlp\u003c\/p\u003e\n\u003cp\u003eSpawned from the Cave that set the standard for mischievous, perverse, raucous punk music in the form of Australian band The Birthday Party, Three One G Records has set out to pay tribute with Release the Bats. This album is a compilation of covers by varied acts from Cattle Decapitation to Some Girls to Ssion, each undoubtedly influenced in one way or another by The Birthday Party’s wildly entwined goth-punk-jazz-blues sensibilities. Hidden in Das Oath’s feedback and Rah Bras’ unsettling synth lines lie curious, well-written, dark stories, and it’s fascinating to hear them told through the collective distorted echo of the Three One G family. Featuring artwork by Mark McCoy.\u003cbr\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e\u003cbr\u003ePlot To Blow Up The Eiffel Tower – Pleasure Heads Must Burn\u003cbr\u003eDas Oath – Friend Catcher\u003cbr\u003eT Cells – Deep In The Woods\u003cbr\u003eCattle Decapitation – Sonny’s Burning\u003cbr\u003eYear Future – Blundertown\u003cbr\u003eSSion – Nick The Stripper\u003cbr\u003eEx Models – Mutiny In Heaven\u003cbr\u003eLes Georges Leningrad – Riddle House\u003cbr\u003eRah Bras – Mr. Clarinet\u003cbr\u003eMelt-Banana – Faint Heart\u003cbr\u003eThe Chinese Stars – The Plague\u003cbr\u003eCelebration – King Ink\u003cbr\u003eKill Me Tomorrow – Junkyard\u003cbr\u003eGet Hustle – A Dead Song\u003cbr\u003eNumbers – Cry\u003cbr\u003eError – Wild World\u003cbr\u003eDaughters – Marry Me (Lie Lie)\u003cbr\u003eSome Girls – Release The Bats\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45436744630564,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/rtb.jpg?v=1686241090"},{"product_id":"fast-forward-t-cells-live-in-afrika-t-cells-2x-mini-cd","title":"Fast Forward \/ T Cells – Live In Afrika \/ T Cells 2x mini CD","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3110116451\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFast Forward \/ T Cells – Live In Afrika \/ T Cells 2x mini CD\u003c\/p\u003e\n\u003cp\u003eFast Forward formed around 1999 in L.A, CA and is known for their controversially political live shows. Includes mysterious members with ties to such organizations as Wrangler Brutes, The Locust, Nazti Skins, One Day As A Lion, and Le Shok. The band has two previous releases on Vermiform and KOTM.\u003cbr\u003e\u003cbr\u003eT Cells are from Long Beach, CA and were formed around 2002. Including members of The Locust, Le Shok, One Day As A Lion, The Distraction, and Nazti Skins. Their music is Lo-fi electronic, pulsing noise pop? This record includes a cover of Cime’s “Maserati”. T Cells also have a self-released 10″ on SPS Records.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45436780708132,"sku":"","price":3.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/ff_9a2977af-22a9-40fe-8b13-83fd07414cb8.jpg?v=1686241375"},{"product_id":"holy-molar-cavity-search-mini-cd","title":"Holy Molar - Cavity Search mini CD","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=674553528\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHoly Molar - Cavity Search mini CD\u003c\/p\u003e\n\u003cp\u003eCavity Search, the latest installment of the holiest of molars. For the band, it was like puling teeth to get this new EP recorded due to the geographical locations of these self proclaimed dentists. However, it sure the hell happened, and its the bands best work to date. Branching out even further into, uh, whateverness, this EP is loaded with some serious metal drumming, songs about Pocahotass, and some of the strangest sitar and horn arrangements added to the bands recorded material. For those unaware of the dental quintet, the band is comprised of members of The Locust, Das Oath, Some Girls, Get Hustle, All Leather, Head Wound City, Failures, Retox, Antioch Arrow, and Charles Bronson. To top it off, this EP has some amazing art by Mark McCoy.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45500237611300,"sku":"","price":4.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/hmcav.jpg?v=1686844962"},{"product_id":"ground-unicorn-horn-damn-i-wish-i-was-fat-mini-cd","title":"Ground Unicorn Horn – Damn I Wish I Was Fat mini CD","description":"\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OequEFowdOY?si=N8NdOJZXSLwBi4GE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eGround Unicorn Horn – Damn I Wish I Was Fat mini CD\u003c\/p\u003e\n\u003cp\u003eWhat do you want? What do you need? You cool with just, y’know, hanging out and stuff? Who wants to be young anymore, right? Remember how pissed you’d get back then? Remember how that felt How it burned your gut and made you feel tense and shaky and alive? Remember how fucking ENRAGED you’d get about the things you believed in? How you could talk for hours and you really, I mean really, believed anger could be used as leverage, as a tool? Who wants to believe in anything? Who wants to be young anymore? Not you, that’s for damn sure. Music? Like listening to music? Sure you do. What’s your music say? What does it make you feel? Ever snorted ground unicorn horn and seen visions of cavemen and anti-intellectual dick waving and kingdoms of rats? Ever been inside the mothership’s computer while a nastydownright viciousfucking virus shagged ass through the mainframe ‘fore the thing went up like a goddamn torch (And god, it lit the skies for days.)? Ever walked into the sun and felt your face melt onto your T-shirt? Never been to the sun? Never been anywhere? Where you been all your life? The “experts” murmur: Nowhere. Nowhere. Nowhere. This band features Justin Pearson (The Locust, All Leather,Some Girls, Holy Molar, Head Wound City), Chris Hathwell (Moving Units, Year Future), Chuck Rowell (The Plot To Blow Up The Eiffel Tower, Crocodiles), and Amy Szychowski (Josh Taylor’s Friends Forever) but who really gives a shit?\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45500281094436,"sku":"","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/guh.jpg?v=1686845564"},{"product_id":"warsawwasraw-jahiliya-7-record","title":"Warsawwasraw - Jahiliya 7″ record","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3654471739\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWarsawwasraw - Jahiliya 7″ record\u003c\/p\u003e\n\u003cp\u003eAre you a black mass bully with delusions of grandeur, craving to kick your peers into an early bliss at the pavlovian call of smothered strings and shattered skins? Are you one drinking sour-sweet sweat from naked truths, clashing against walls of sound and laments on a bad moon rising? Are you endlessly boxing your subcounscious with bags of ice cubes made from the unfiltered tears of street-level deities? Have you ever been lured by third eyes winking at you from the bottom of the dream dumpster? Look no further. WARSAWWASRAW is the sensitive blackhole were all your expectations have come, crashed, and successfully melted themselves into cogs of a software designed to churn out anthems of post-modern civilized despair in the face of time, excess and the absolute.\u003cbr\u003e\u003cbr\u003eTrimmed down from a five piece to a threesome, the two hair-brained rethoric finally reached its current maximized number-to-efficiency ratio, sealing the deal to stir the air of city bleak and trauma with rude guitars and vulgar drums wrapped in a resin of spit and saliva.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45500305834276,"sku":"","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/img580.jpg?v=1704160281"},{"product_id":"ill-saint-m-justin-pearson-a-pigs-orphan-12-record","title":"Ill Saint M \u0026 Justin Pearson ‎– A Pig's Orphan 12\" record - the edges of the cover have very light wear from the shrink wrap shrinking","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2354775509\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIll Saint M \u0026amp; Justin Pearson ‎– A Pig's Orphan 12\" record\u003c\/p\u003e\n\u003cp\u003eThe edges of the cover have very light wear from the shrink wrap having shrunk a little.  The shrink wrap has been removed.\u003c\/p\u003e\n\u003cp\u003eTHREE ONE G IS PROUD TO ANNOUNCE ILL SAINT M AND JUSTIN PEARSON’S “A PIG’S ORPHAN” REMIX EP. THE TRACK ORIGINALLY APPEARED AS A FLEXI RECORD IN PART OF PEARSON’S “HOW TO LOSE FRIENDS AND IRRITATE PEOPLE” BOOK, WHICH HAS SINCE SOLD OUT. SO THE DYNAMIC DUE ARE BACK AT IT WITH A LITTLE HELP FROM FRIENDS SUCH AS MELT BANANA, D-R-U-N-K, MR. HENSHAW, NICK ZINNER, DURAN DURAN DURAN, TRAP, AND SATANIC PORNO CULT SHOP, ALL PUTTING THEIR OWN SPIN ON THE MUSICAL PIECE.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45500315566372,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/illsaintm.jpg?v=1686846293"},{"product_id":"bastard-noise-senza-testa-geronimo-inertia-lp","title":"Bastard Noise \u0026 Senza Testa \/ Geronimo – Inertia lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=885841030\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBastard Noise \u0026amp; Senza Testa \/ Geronimo – Inertia lp\u003c\/p\u003e\n\u003cp\u003eTHE CONCEPT OF ACCELERATION CAN HAVE LASTING AND DEADLY CONSEQUENCES… WHEN “INDIANS AND SKULLS” COLLIDE AND THE FEAR TO CHANGE IS ASSASSINATED, NEW WORLDS ARE BORN TO THE ANCIENT BRAVE. CONTINUOUS MOVEMENT ON ALL LEVELS IS EVERYTHING TO SOUND EXPLORATION AND THE INDIAN WARRIOR AND SKULL WERE UNITED IN DECIDING TO COMBINE THEIR CREATIVE VISIONS OF WORLD DEMISE AND “CIVILIZED” HUMAN BLUNDERS INTO A COLLECTIVE, ANALOGOUS INFESTATION OF FORCE. THERE IS WITHIN THESE GROOVES, A FAILURE TO HEED TO SUBMISSION, MEDIOCRITY, AND TO THE GENERAL, PATHETIC DESIRE TO TURN ONESELF WILLINGLY INTO DRONE FERTILIZER FOR THE HUGO BOSSES OF THE WORLD. THIS IS THE CELEBRATION OF SOUND, REVOLT AND DESPAIR ALL IMPELLED BY THE RUTHLESSNESS AND PERPETUAL NATURE OF INERTIA” – BASTARD NOISE\/GERONIMO 2013\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45500326281508,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/bastard.jpg?v=1686846711"},{"product_id":"leg-lifters-radical-humiliation-7-record","title":"Leg Lifters – Radical Humiliation 7\" record","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=807034300\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLeg Lifters – Radical Humiliation 7\" record\u003c\/p\u003e\n\u003cp\u003eLeg Lifters are at it again. They might have made a sonic left turn down a mean and nasty wormhole, but the outcome is something unique and punctual. The title track seems to draw from the Leg Lifters collective background which features members of The Locust, All Leather, Some Girls, Retox, Hot Nerds, and so on. It’s certainly catchy, but overshadowed by abrasive, raw, and tense musical (or non-musical) elements.\u003cbr\u003e\u003cbr\u003eThe B-side of the single is something very special. Leg Lifters teamed up with Travis Ryan from Cattle Decapitation to deliver homage to one of the more influential songwriters of our time, Lou Reed. “Sunday Mourning” was tracked the day Lou passed away, incorporating lyrics to Velvet Underground’s “Sunday Morning” which are laid over a soundscape that is more akin to what one might expect from Travis Ryan, Nathan Joyner, and Justin Pearson.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45618591236388,"sku":"","price":5.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/ll.jpg?v=1688064743"},{"product_id":"qui-secret-fun-club-split-7-recording","title":"Qui \/ Secret Fun Club split 7\" record","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/I-nbhyPP8IU?si=BSrYxBxuqkuECapl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eQui \/ Secret Fun Club split 7\" record\u003c\/p\u003e\n\u003cp\u003eAlthough there are certainly some auditory differences between the two, it is no mystery as to why these bands would share a musical space. The two duos excel at creating experimental material as hard-hitting as not only any four or five piece band, but as an entire cacophonous army.\u003cbr\u003e\u003cbr\u003eComing off their third full-length after five years with “Life, Water, Living…” in February of 2014, Paul Christensen and Matt Cronk have returned to their original lineup as a pair for the Side A single entitled “Feel My Body”, a track thick with heavy, catchy bass lines and harmonious vocals coupled with manic screams. Qui continuously manages to create a dichotomy of composure and craziness in their music that grabs the listener, immediately makes itself at home in your head, and remains there for the foreseeable future.\u003cbr\u003e\u003cbr\u003eSecret Fun Club, featuring Sal Gallegos and John Rieder, contribute the B side track, “Pinche Harmonics” which immediately starts off brutally heavy, and fluctuates throughout from there onwards, changing tempos from slow and sludgy to recklessly fast, with wild and uninhibited solos interspersed throughout. The music almost comes across like a sinister stream of consciousness experiment, all the while flowing flawlessly. This is the band’s newest material since the release of Three One G’s Skull With Antlers LP (2012), another similarly aggressive, heavy, and all-around unique effort.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45618602770724,"sku":"","price":5.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/qui.jpg?v=1688064933"},{"product_id":"hot-nerds-strategically-placed-bananas-lp","title":"Hot Nerds – Strategically Placed Bananas lp","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1348036937\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\n\u003cp\u003eHot Nerds – Strategically Placed Bananas lp\u003c\/p\u003e\n\u003cp\u003e\"On Strategically Placed Bananas, Nathan Joyner and Alia Jyawook only partially embrace the half-serious dance punk anti-aesthetic that marked earlier efforts. Now a trio, Hot Nerds have built up their wheelhouse to include more brutal, tightly wound bursts of digital skronk made whole by raw, close-mic’d drums—courtesy of third Nerd Thomas O’Connell— but as always marked by Joyner’s decimated guitar tones and Jyawook’s wide-open fuzzy synths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album begins with the sonic bukkake of “Room One Flatulator.” Jyawook’s woolen synth tones are featured prominently in the mix; her figures oscillate menacingly just beneath Joyner’s Arab on Radar-esque riffing and O’Connell’s grind-inclined snare work. The lyrics reveal a band not ashamed to dish out the hate to others in their ecosystem, and Joyner’s vocals (lightly processed compared to the searing pitch shifts on other songs) conjure up a young Thurston Moore at his most self-consciously snotty. He snarls, “Turds that swim \/ have shit-eating grins \/ Washed up prog \/ by amateur hogs.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe new tracks aren’t all swagger and confrontation. The song “Noize” bears some of the group’s earlier DNA, when Joyner and Jyawook banged out pure fun on a dumpster-dived drum kit and a slick keyboard bought with a line of Guitar Mart credit. Propelled to new heights by O’Connell’s percussive attack, the song’s key refrain (“I don’t wanna go”) is a weird paean to more nihilistic and more self-destructive times, before Joyner, who was nearly killed in 2012 after being struck by a car, had to be put back together again by all the king’s horses and men.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSome tracks split the difference between this shake-your-ass hookiness and avant-garde hostility. The A riff on “EmotiKanye” is pure danceability, with Jyawook’s sawtooth bassline squarely in the pocket—imagine the Funk Brothers cruising for pills and drank in the Cat’s Eye Nebula. The chorus, though, turns that beat around on a dense, splattery, Locust-like tag, with O’Connell’s and Jyawook’s urgent groove on the B riff underpinning cascades of ring-modulated guitar. Lyrically, the song explores the masturbatory self-surveillance of the online social-media complex. The theme seems heavy, sure, but Joyner’s couplets remind us that he is a jester at heart: ‘Billy knows where Kelly goes \/ tagged the cocaine in her nose.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith Strategically Placed Bananas, Hot Nerds aren’t too cool to draw water from the well of the dance-punk trend of the mid-2000s—but they’re also more than happy to leave a massive turd in that same well.\" – John Rieder\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45618621940004,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/hn.jpg?v=1688065267"},{"product_id":"justin-pearson-gabe-serbian-incompresa-original-songs-from-the-film-7-record","title":"Justin Pearson \/ Gabe Serbian – Incompresa - Original Songs From The Film 7\" record","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=95036071\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eJustin Pearson \/ Gabe Serbian – Incompresa - Original Songs From The Film 7\" record\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJustin Pearson and Gabe Serbian teamed up with Asia Argento in her film Incompresa, resulting in this limited edition 7” single. Not only does Justin appear as “Ricky” in the film, but he wrote two songs with Gabe specifically for the film’s character. Here you have a lo-fi 80’s feel to what the film was presenting, but of course with a modern half-Locust spin on it. The film has since been released all over the world, and now these two tracks are available on limited edition color vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45618627805476,"sku":"","price":6.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/jp_e50be6c6-de84-4de9-ba7a-b4fc6507463d.jpg?v=1688065496"},{"product_id":"metz-eraser-pure-auto-7","title":"Metz ‎– Eraser \/ Pure Auto 7\"","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2672453451\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMetz ‎– Eraser \/ Pure Auto 7\"\u003c\/p\u003e\n\u003cp\u003eToronto-based Metz has consistently continued to gain praise for their fabled live performances as well as their general uncompromising attitude towards their creative output, regardless of public reception (which is, in fact, quite positive). After two well-received full length albums since the band’s inception in 2012 (self-titled and II) and an incredible amount of touring, the trio has now teamed up with Three One G for the first time to release this Eraser\/Pure Auto 7”.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNo tempo is sacred and no riff too maniacal on this release, which is about par for the course when dealing with Metz. “Eraser” features vocals full of feedback and distortion, far away as if vocalist Alex Edkins is singing (or shouting, as the song calls for) at us through an old walkie-talkie. More specifically, through a walkie-talkie with a self-detonating landmine filled-field of drummer Hayden Menzies and bassist Chris Slorach’s explosive playing between it and the listener.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Pure Auto” hits the ground running even faster and harder than Side A. The guitar wails, interspersed with discordant moments and pushed by steady percussion. The music is tight and skillfully played, but the mood of the song emits the white-knuckle tension of being aboard a train that could derail at any moment. Layers upon layers of sound build and bounce off one another and propel themselves into your skull, encouraging many listens to these two newest tracks from a band that wants nothing more than to punch you in the gut with their music.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45618636357924,"sku":"","price":6.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/64124.jpg?v=1688065880"},{"product_id":"planet-b-wrong-utopia-7-record","title":"Planet B – Wrong Utopia 7\" record","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249836196\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePlanet B – Wrong Utopia 7\" record\u003c\/p\u003e\n\u003cp\u003eDropped down amongst the knobs and dials of Penguin Studio in San Diego, rogue avatars Justin Pearson and Luke Henshaw have created a new project in the form of Planet B, with the shared purpose of creating music both mischievous in sound and sobering in message.\u003cbr\u003e\u003cbr\u003eThe first artifact from the preternatural duo comes in the form of this “Wrong Utopia” 7” single. Featuring two tracks, both can be heard almost as otherworldly anthems: catchy, heavily percussive, and eerie all at once. Pearson sneers lyrics that present the viewpoint of an outsider looking on at his surroundings: “Sell a good bad luck charm\/ watch them hurt their own arm\/ shaking their bloody fist\/ in the world of the nihilist,” seemingly uninterested in taking part and instead deciding that “’Tween the moth and the web, I’ll make a new landmark.” This is interspersed with Henshaw’s fantastical sci-fi accompaniments: whistling UFO vibrato, dark and distorted electrical hums, and marching band drum beats. Basically, “Wrong Utopia” has all the makings of your next interdimensional ear worm.\u003cbr\u003e\u003cbr\u003eSide 2 of the single, “Join a Cult”, has a more foreboding sound, a sort of thunderous and creepy call to arms. This is in large part due to the booming drums, live wire buzzes, and digital echoes that brings to mind an oncoming swarm of mechanical insects headed straight for the song’s settings of burning houses and dry fields, “the one without a view”. This is all punctuated by whimsical bells that are unsettling in the context of the song, much in the same way that hearing a child singing in a horror movie is.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45697270972708,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/planetb.jpg?v=1688660237"},{"product_id":"panicker-s-t-lp","title":"Panicker – s\/t lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=506098709\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePanicker – s\/t lp\u003c\/p\u003e\n\u003cp\u003ePANICKER’s self-titled debut LP seeks to give a voice (sans vocalist) to the anxious emotional state occupied by musician\/producer\/sound engineer Brent Asbury– as well as, it seems, society as a whole. The feeling is frightening, all-consuming and urgent, and he captures this well.\u003cbr\u003e\u003cbr\u003eHaving worked with artists across the gambit from The Locust to Pinback to Michael Bolton, it might be hard to imagine what his own dissonant brainchild would sound like. The answer is, surely, none of the above– or at least, unlike any one individual category or predecessor. Tracks such as “Habits” tap into the horror vibe heavily, building tension and yet shifting into upbeat slides and bright accents with fluidity. “Airport” strikes like an alarm signalling for emergency evacuation, yet works in a techno-dance beat that seems welcoming of a jam-packed, sweat-stained party. Asbury reluctantly describes Panicker as “an attempt to make pretty normal music–blending aspects of EBM, industrial, techno and hip hop with the intensity and heart of punk, metal, and horror films,” which is apt if not still slightly nebulous. But, where genres may be negligent, the title, “PANICKER,” serves well.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45697325728036,"sku":"","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/panicker.jpg?v=1688660547"},{"product_id":"qui-snuh-lp","title":"Qui – Snuh lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4123841563\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eQui – Snuh lp\u003c\/p\u003e\n\u003cp\u003eQui’s latest LP, Snuh, extrapolates on their genre-bending brand of avant-garde rock. Working again with long time producer Toshi Kasai, the duo has integrated more shades of unlikely forms and timbres along with their always-present penchant for abrasive noise punk. Snuh is at once both playful and belligerent, switching abruptly from heavy to soft, screaming to crooning, sweet to hostile. The record also features cameo performances from Justin Pearson (The Locust, Retox, Head Wound City, Dead Cross), Trevor Dunn (Mr. Bungle, Fantomas, Melvins, John Zorn) Dale Crover (Melvins) and Adam Harding (Dumb Numbers).\u003cbr\u003e\u003cbr\u003eIn the years following the 2014 release of Life, Water, Living…, their last full-length, Qui have released a slew of singles, EPs, splits, and collaborations. Snuh is among their most ambitious records to date and will no doubt be a hit with fans of all things weird and obstinate.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45697516110116,"sku":"","price":19.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/quisnuh.jpg?v=1688661454"},{"product_id":"microwaves-via-weightlessness-lp","title":"Microwaves – Via Weightlessness lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3752800590\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMicrowaves – Via Weightlessness lp\u003c\/p\u003e\n\u003cp\u003eOf innumerable bands that traffic in dissonance, the musick of Pittsburgh, PA’s Microwaves shears clean and hot as an oxy-lance through the defenses of even the most cynical noise rock aficionado. The trio plies a no-wave\/prog-thrash scree that evokes the doings of today’s renegade wetware punks who shove glass-sheathed RFID chips and rare-earth magnets into fresh incisions – dimensions away from the bluesy shot-and-beer heartland rock of their local bar scene. Bursting forth with 2001’s “Professional Systems Overload” EP and the following year’s “System 2” (both featuring original bassist\/vocalist Steve Moore, now of ZOMBI) John Roman (drums, formerly of the 1985, and current member of Night Vapor and Brown Angel) and David Kuzy (guitar, vocals) cycled through bass players for several years (including a stint as a synth\/sampler-augmented duo) before joining with Johnny Arlett for their longest-running lineup to date. Over the years, Microwaves continued to pick up the loose ends left by Voivod, MX-80, Snakefinger, and some of their own Pittsburgh-area “math-rock” contemporaries, twisting them into a Gordian knot that at once rages and confounds.\u003cbr\u003e\u003cbr\u003eTheir latest album, Via Weightlessness, tones down their previous effects-heavy approach, charging lean and unabated toward their dystopian vision. Kuzy’s guitar chimes through the mix with spindly atonal runs more akin to data streams spat from an outdated mainframe, alternately careening into chugging, crossover-thrash riffs. The Roman\/Arlett rhythm section is much more than the sum of its parts: Beefheartian clamor served up with cyborg precision underpins overdriven bass, rumbling forth frenziedly as a DMT-dosed rhino. Kuzy, the paranoid town crier, and Arlett, the unhinged shrieker, deliver a twin-vocal assault covering most topics previously found in your local video rental shop’s cult\/sci-fi section.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45697592951076,"sku":"","price":19.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/micro_40efdd2e-4b4e-4abb-8755-34af00a23ce3.jpg?v=1688661862"},{"product_id":"secret-fun-club-three-one-g-no-101-lp","title":"Secret Fun Club – Three One G No. 101 lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=573907639\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSecret Fun Club – Three One G No. 101 lp\u003c\/p\u003e\n\u003cp\u003eSecret Fun Club’s latest release, the wild-eyed brainchild of Sal Gallegos and John Rieder, once again show that these two have mastered the art of auditory experimentation. Fluctuating between moments of scientific static worthy of alien airwaves on “Billy Joel Osteen,” to seemingly straightforward jazz punctuated by soothing vibraphone and just-slightly-off time signatures that feel like a calm descent into madness on “Ted Nugent Was Goth in High School,” Secret Fun Club proves repeatedly that their creativity is vast and unrestricted by any one musical direction. Throbbing wails and air raid siren assaults accompanied by punishing, repetitive rhythms give way to supremely sinister howls and collaborative noise from the likes of W.T. Nelson, Justin Pearson, Sam Lopez, and Esteban Flores on the eleven and a half minute track, Black Metal to English Dictionary.”\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45697630601508,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/sfc.jpg?v=1688662058"},{"product_id":"geronimo-obsolete-lp","title":"Geronimo – Obsolete lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4151365288\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGeronimo – Obsolete lp\u003c\/p\u003e\n\u003cp\u003eOriginally conceptualized as a two-piece between Nelson (Electronics\/Voice) \u0026amp; Ruiz (Percussion) but later adding Francoso (Bass\/Voice), the listening experience of the band’s often 15-plus-minute-long, austere-patterned, minimalist soundscapes have a meditative quality about them, both brutal \u0026amp; beautiful at once, expanding organically via mechanical repetition. Obsolete lurches forward with an acoustic lull that somehow seamlessly transforms into an industrial amalgam, punctuated by the wailing chorus of unearthly electronics. The experience of the album is an ayahuasca trip through a robotic wasteland. Summoning an angry hidden power, the LP feels like a call to arms for the inhuman inhabitants of earth, speaking as much when in the midst of one of its winding percussive digressions as when vocals are present.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45761321435428,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/R-13694324-1559171260-6025.jpg?v=1689262601"},{"product_id":"zealot-r-i-p-s-t-12-record","title":"Zealot R.I.P. ‎– s\/t 12\" record","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1844263779\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eZealot R.I.P. ‎– s\/t 12\" record\u003c\/p\u003e\n\u003cp\u003eZealot R.I.P. started years ago when life-long friends, Jason Hamacher (Frodus, Battery, CombatWoundedVeteran) \u0026amp; Mike Schleibaum, decided to collaborate and write music that’s fast and heavy. Between Schleibaum’s relentless touring in Darkest Hour and Hamacher’s extensive documentary work in Syria, it took a few years for them to settle into a sound that’s somewhere between Entombed and Born Against. The band was recently solidified with the additions of Pig Destroyer’s Blake Harrison and Fairweather’s Peter Tsouras. This metal amalgam, upon forming, went immediately into the studio and recorded a handful of songs that are brutally unhinged.\u003cbr\u003e\u003cbr\u003eThe self-titled EP was recorded recorded\/mixed by Mike Schleibaum at The Riff Dojo.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45761400897828,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/zealot.jpg?v=1689263913"},{"product_id":"zealot-r-i-p-the-extinction-of-you-lp","title":"Zealot R.I.P. ‎– The Extinction of You lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1946441514\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eZealot R.I.P. ‎– The Extinction of You lp\u003c\/p\u003e\n\u003cp\u003eZealot R.I.P. started years ago when life-long friends, Jason Hamacher (Frodus, Battery, CombatWoundedVeteran) \u0026amp; Mike Schleibaum, decided to collaborate and write music that’s fast and heavy. Between Schleibaum’s relentless touring in Darkest Hour and Hamacher’s extensive documentary work in Syria, it took a few years for them to settle into a sound that’s somewhere between Entombed, Dead Kennedys and Born Against. The band was solidified with the additions of Pig Destroyer’s Blake Harrison and Fairweather’s Peter Tsouras. This metal amalgam, upon forming, went immediately into the studio and recorded a handful of brutally unhinged songs, released as a self-titled EP on Three One G in 2019. As a bizarre and radical opening reception to the world, Zealot R.I.P. played their first show at the Swedish Embassy in Washington D.C., as The Embassy hosted a concert and panel discussion around the history of Swedish metal.\u003cbr\u003e\u003cbr\u003eWith the release of Zealot R.I.P’s debut LP, “The Extinction of You” has every bit of the energy one would expect from these beloved, brutal and ripping musicians. And yet, by their own admittance, the band is also a deviation for most of its members. Mike Schleibaum explains that from the band’s formation, “I’ve taken a different approach from any other project or band I’ve been in. Zealot is sort of a return to my early days in music. We write songs pretty quick and usually end up keeping the first takes. I’ve always appreciated Jason’s creative raw energy on the drums and this project is a direct reflection of that. Combine the unique perspectives of Peter and Blake, and the result is explosive visual energy personified in song form.” Blake Harrison adds, “Moving to DC, I wanted to start another project that was a little more ‘punk’ and ‘live’ than Pig Destroyer. Lo and behold, I did not start a new project, but fell in with Zealot RIP, whose energy is bombastic.”\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45761414922532,"sku":"","price":21.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/zelot.jpg?v=1689264136"},{"product_id":"sonido-de-la-frontera-sonidero-guerrillero-lp","title":"Sonido De La Frontera – Sonidero Guerrillero lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856887168\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSonido De La Frontera – Sonidero Guerrillero lp\u003c\/p\u003e\n\u003cp\u003eSonido De La Frontera is the combination of Soundsystem culture, hip hop production aesthetic, and the sounds of Latin America’s most prolific dance music: Cumbia. The result is a bass oriented, dance driven music with a sound unique to the border between San Diego, California and Tijuana, Mexico. This trio is made up of Karlos Paez, Mr. Henshaw, and DJ Unite. Karlos Paez is an energetic frontman, also known for his role as vocalist for San Diego’s premiere Latin Music project, The B-Side Players. With his unique vocal styling and ability to deliver a magnetic performance, Karlos produces lyrics that seduce a dancer to cut loose, while inducing the spirit of both culture and rebellion. Mr. Henshaw is the producer for First Power Crew, and has produced many break records directed towards the avid turntablist. His sound is dark and heavy, with an emphasis on big drums and bass, as evident in his current projects Planet B and Satanic Planet. DJ Unite is a veteran DJ for Tribe of Kings Soundsystem as well as First Power Crew, who cut his teeth on dancefloors nationwide. Unite is well versed in keeping dances energetic, with a musical arsenal that spans for many genres. Sonido De La Frontera is a mixture of all the different sounds and culture found in the southernmost part of California, San Diego. It is cumbia music with a production approach similar to hip hop and electronic music.\u003cbr\u003e\u003cbr\u003eThe Sound System is at the heart of many genres of modern music. People gather to hear their favorite music over massive speakers, and dance for hours on end. At the center of these events is the DJ, raising the energy of their crowd by selecting the right tune at the right time. In Mexico, these DJs are hailed as Sonideros. Sonido de la Frontera’s lead single “Somos Sonideros,” from their forthcoming album Sonidero Guerrillero, is an anthem which has an unquestionable message: “Somos Sonideros, de la Frontera”. Lead Vocalist Karlos Paez delivers both inspiration and intention, which is thoughtfully delivered over an infectious Cumbia rhythm. The song is drenched in Sonido de la Frontera’s signature sound, which combines the many influential sounds found in their hometown of San Diego, California.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":45761426882852,"sku":"","price":25.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/sonido.jpg?v=1689264368"},{"product_id":"squid-pisser-my-tadpole-legion-lp","title":"Squid Pisser – My Tadpole Legion lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1940174148\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSquid Pisser – My Tadpole Legion lp\u003c\/p\u003e\n\u003cp\u003eSQUID PISSER eviscerates the ego and and all things serene with their own vibrant form of vicious and mucky hardcore. Slamming down dolphin corpses at breakneck speeds, the duo, which is comprised of Tommy Meehan on guitar (Deaf Club, Cancer Christ, Sweatband Records, Cartoon Network) and Seth Carolina (Starcrawler), have constructed a fresh and mucousy new alien craft powered by tightly controlled noise-guitar, savage primal drum work, and gooped up vocal deliveries that might sound like a gaggle of frogs thrown into a garbage disposal (although the Squid boys wouldn’t recommend doing this).\u003cbr\u003eConceptualized and formed in 2022, the band decided to fully utilize planet Earth’s viral slumber in order to gestate, write, and record 2 full length albums worth of material. Throughout the year, SQUID PISSER played a handful of shows in California and Nevada as a 2 piece as they continued the quest for further personnel and collaborators. Tommy Meehan’s tightly controlled noise-onslaught of rainbow vomit (spat out of a guitar amp via manic pedalboard wizardry and sophisticated finger work) paired with the utterly brutal and savage drumming of Seth Carolina, merge to create a collection of tracks that have been forged in a totally fucked and sonically chaotic storm of pus and goo.\u003cbr\u003eTheir debut release, MY TADPOLE LEGION, is a mutated smorgasbord of songs and guest vocalists from projects like: MELT BANANA, NEKROGOBLIKON, CANCER CHRIST, PUNCH, THE LOCUST, WACKO, and more. Also featured prominently is John Clardy of TERA MELOS on drums for 3 of the songs.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46727603224868,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/sp.jpg?v=1692893713"},{"product_id":"various-really-bad-music-for-really-bad-people-the-cramps-as-heard-through-the-meat-grinder-of-three-one-g-lp","title":"Various - Really Bad Music For Really Bad People: The Cramps As Heard Through The Meat Grinder Of Three One G lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1721398308\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eVarious - Really Bad Music For Really Bad People: The Cramps As Heard Through The Meat Grinder Of Three One G lp\u003c\/p\u003e\n\u003cp\u003eOver two decades ago, Three One G Records flew in the face of Queen purists with the release of Dynamite With A Laserbeam: Queen As Heard Through the Meatgrinder of Three One G, the label’s 20th release. On it, bands like Melt-Banana, Weasel Walter, The Locust, Bastard Noise and The Blood Brothers unapologetically tackled some of the most beloved and universally recognizable music in popular culture and made it nasty, noisy, and brutal– and they did so with nothing but love and respect. This was followed by an equally bold tribute to Australian avant-garde legends The Birthday Party, entitled Release The Bats. More frenetic energy from the likes of bands like Cattle Decapitation, Das Oath, SSion and Some Girls, more chaotic feedback giving way to unsettling synth lines, and still (knock on wood) not a lawsuit in sight.\u003cbr\u003e\u003cbr\u003eIt is only fitting, then, that Three One G’s one hundredth release be another tribute, this time to an iconic band known for its raunchy and pure punk spirit, all while looking effortlessly cool: The Cramps. For the label’s third comp, the lineup of musicians enlisted to take part is even more diverse, including the likes of Chelsea Wolfe, Daughters, Mike Patton, and Metz, among others– all members, in some way or another, of the extended Three One G family. Here you’ll hear everything from Cumbia-style Cramps as interpreted by Sonido De La Frontera, to Panicker’s electronic dance-centric distorted version of “I’m Cramped”. Just as The Cramps mastered the art of covering music through their own warped lens, Three One G carries on the torch of re-imagining songs with swagger and style, making it their own while honoring a band whose influence on the label is obvious.\u003cbr\u003e\u003cbr\u003eReally Bad Music for Really Bad People:\u003cbr\u003eChild Bite “TV Set”\u003cbr\u003eMetz “Call of the Wighat”\u003cbr\u003eSecret Fun Club feat. Carrie Gillespie Feller “I Was a Teenage Werewolf”\u003cbr\u003eChelsea Wolfe “Sheena’s in a Goth Gang”\u003cbr\u003eSonido de la Frontera “Zombie Dance”\u003cbr\u003eQui “New Kind of Kick”\u003cbr\u003eZeus! feat. Mike Patton “Human Fly”\u003cbr\u003eRetox “Garbageman”\u003cbr\u003eMagic Witch Cookbox “People Ain’t No Good”\u003cbr\u003eMicrowaves “Don’t Eat Stuff Off the Sidewalk”\u003cbr\u003eDaughters “What’s Inside a Girl”\u003cbr\u003ePanicker “I’m Cramped”\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46727935787300,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/rbm.jpg?v=1692894156"},{"product_id":"venamoris-s-t-lp","title":"Venamoris – s\/t lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008233104\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eVenamoris – s\/t lp\u003c\/p\u003e\n\u003cp\u003eFounded in 2021, by what can only be called, astral influence. Married couple Paula and Dave (Slayer, Fantômas, Testament, Mr. Bungle, Misfits, Dead Cross) Lombardo formed Venamoris, as a result of some persistent persuasion on the latter’s part. Dave, who is in charge of drums and production on the record, explains: “Several months after meeting Paula in 2010, she hesitantly shared with me her past decade-long career as the lead back up singer for Wayne Newton. She later played me some of the demos she recorded throughout the years and I was floored by her sonically soothing, rich tone and natural, instinctive ability to harmonize. I was determined to persuade her to return to her creative self. It’s been a deeply gratifying journey witnessing this music come to life.”\u003cbr\u003e\u003cbr\u003eCanadian born singer\/songwriter Paula Lombardo, who performs vocals and piano for this project, bursts with vulnerability and intimacy, addressing a broad scope of emotion: anger, healing, pain, hope. It’s evident that Venamoris was founded out of love, passion, communication, respect, and trust. One person thriving in music encouraged the other, who had abandoned music to find their way back. It is the result of many late nights with too much wine, and even more truth laid bare: an aural couple’s journaling generously shared with the world.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46728137998628,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/vena.jpg?v=1692894429"},{"product_id":"netherlands-kali-corvette-lp","title":"Netherlands – Kali Corvette lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1497665917\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eNetherlands – Kali Corvette lp\u003c\/p\u003e\n\u003cp\u003eLead singer, multi-instrumentalist, compulsive creator, and unrepentant volume addict Timo Ellis (Yoko Ono, Cibo Matto, Sean Lennon, Joan As Police Woman, Spacehog) formed NETHERLANDS in 2010 in NYC. The band has since shared stages with Napalm Death, Melt Banana, Mutoid Man, Yob, Retox, Black Flag, Eyehategod, Flipper, Martin Rev, The Death Set, Moon Tooth, and Witch Mountain, among many others. Now with drummer David Keith (Rainbow), the band continues to reject restraint in favor of maximum impact: shredding chops, soaring vocals, and maddening hooks. Netherlands crushes decades’ worth of bombast into psychotropic nuggets of evil sludge-rock bliss, with nods to the dirtbag rituals of 70’s acid rock and punk, the grandeur of 80’s arena rock, and the guttural intensity of 00’s posthardcore.\u003cbr\u003e\u003cbr\u003eKALI CORVETTE is Netherlands’ 6th full LP, and features all the hallmarks of Ellis’ work; blistering guitar heroics, primal drumming, and searing caterwauls. However KALI CORVETTE veers bracingly into the realm of electro-noise-punk, ratcheting up the intensity into a uniquely weaponized form of rock that reaches towards high art. The record features guest performances by Gibby Haynes (Butthole Surfers), Michael Kubacki (Car Bomb), Tim Dahl (Lydia Lunch Retrovirus, Child Abuse), Daisy Press (Steve Reich) and Suzanne Von Aichinger (The Suzannes.) KALI CORVETTE is another chapter in the book of a band that’s consistently released heavy music on its own terms and with its own undeniable personality. There’s a reason contemporary heavy luminaries like Joe Duplantier of Gojira and Bill Kelliher of Mastodon count themselves amongst Netherlands’ biggest fans, and KALI COREVETTE’s 7 tracks effortlessly demonstrate NETHrock’s potency once again.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46728471281956,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/netherlands.jpg?v=1692894858"},{"product_id":"various-dynamite-with-a-laserbeam-queen-as-heard-through-the-meat-grinder-of-three-one-g-lp","title":"Various ‎– Dynamite With A Laserbeam: Queen As Heard Through The Meat Grinder Of Three One G lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=267459072\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eVarious ‎– Dynamite With A Laserbeam: Queen As Heard Through The Meat Grinder Of Three One G lp\u003c\/p\u003e\n\u003cp\u003eThis compilation of all compilations is a tribute to one of the best bands that has ever existed. On this album you can hear your favorite bands recreating, or maybe just butchering your favorite Queen songs. Pressed on limited edition color vinyl.\u003cbr\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e1. The Blood Brothers “Under Pressure”\u003cbr\u003e2. Get Hustle “Another One Bites the Dust\u003cbr\u003e3. Asterisk* “Ogre Battle”\u003cbr\u003e4. The Oath “We Are the Champions”\u003cbr\u003e5. Go Go Go Airheart “Death On Two Legs (Dedicated To)”\u003cbr\u003e6. Upsilon Acrux “Bicycle Race”\u003cbr\u003e7. Sinking Body “Who Needs You”\u003cbr\u003e8. Glass Candy “The Fairy Feller’s Master Stroke”\u003cbr\u003e9. The Locust “Flash”\u003cbr\u003e10. Weasel Walter “Bohemian Rhapsody”\u003cbr\u003e11. The Spacewurm “Vultan’s Theme (Attack of the Hawk Men)”\u003cbr\u003e12. Fast Forward “Crazy Little Thing Called Love”\u003cbr\u003e13. The Convocation Of “get Down Make Love”\u003cbr\u003e14. Bastard Noise “Lily of the Valley”\u003cbr\u003e15. Tourettes Lautrec “Killer Queen”\u003cbr\u003e16. Melt Banana “We Will Rock You”\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46728651342116,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/dwal.jpg?v=1692895098"},{"product_id":"the-locust-safety-second-body-last-12","title":"The Locust – Safety Second, Body Last 12\"","description":"\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Msj0_FlVrPU?si=MRkM7qGJD8f2e39N\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eThe Locust – Safety Second, Body Last 12\"\u003c\/p\u003e\n\u003cp\u003e2005 saw the Ipecac Recordings\/Radio Surgery release of The Locust’s “Safety Second, Body Last,” the follow-up EP to their acclaimed album, “Plague Soundscapes.” The concept for SSBL has been explained as one 10-minute song split into two tracks, each of which is further dissected into separate movements. The result is a timeless sci-fi onslaught described in reviews as an “elegant mind-fuck of organized noise” and “a fascinating contrast full of viciously dadaist musical fragments and surreal, perceptive lyrics.”\u003cbr\u003e\u003cbr\u003eThe now well-recognized cover art is a piece titled “Treatment” by Neil Burke, a member of likeminded experimental band Men’s Recovery Project.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46832833134884,"sku":"","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/thelocust.jpg?v=1693500746"},{"product_id":"microwaves-discomfiture-atlas-lp","title":"Microwaves – Discomfiture Atlas lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=435986971\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMicrowaves – Discomfiture Atlas lp\u003c\/p\u003e\n\u003cp\u003eOf innumerable bands that traffic in dissonance, the musick of Pittsburgh, PA’s Microwaves shears clean and hot as an oxy-lance through the defenses of even the most cynical noise rock aficionado. In this iteration of the band, which has been in existence now for 20 years, core members John Roman (drums, vocals) and David Kuzy (guitar, vocals) round themselves out with 2006 alum bassist\/vocalist Adam MacGregor on one side (“Pyroclast”), and founding bassist\/vocalist Steve Moore (Film composer and member of Zombi, Lovelock, Miracle, and more) on the other (“Plasma”). Over the years, Microwaves continues to pick up the loose ends left by Voivod, MX-80, Snakefinger, and some of their own Pittsburgh-area “math-rock” contemporaries, twisting them into a Gordian knot that at once rages and confounds.\u003cbr\u003e\u003cbr\u003eMicrowaves’ newest LP, Discomfiture Atlas, features guest appearances by Eric Paul (Arab on Radar, Doomsday Student, Psychic Graveyard), Sarah Quintero (Spotlights), Rebecca Burchette (Exosus), and Todd Rittman (Dead Rider). Discomfiture Atlas will be available through Three One G Records on limited edition of 200 color vinyl, 300 black vinyl, and 50 cassettes, as well as digitally.\u003cbr\u003e\u003cbr\u003eWho among us doesn’t long for a “do-over” of our wreck of recent history? Maybe it’s that attitude that accounts for the ascendancy of multiverses, parallel dimensions, the “Berenstain\/Berenstein” debate, etc., in public imagination. Whatever the reason, contemplating other planes of existence is no longer exclusive to the hard sci-fi wonk set. Apropos of all the above, Microwaves manifests their own twin realities over the two sides of Discomfiture Atlas, its second album on San Diego’s vaunted Three One G records. Though distinct, both sides of the album, “Pyrocast” and “Plasma,” salt the band’s terse alloy of thrash metal, no-wave, brutal prog, noise-rock, and math rock with a hint of pop brevity, if not the melody to match.\u003cbr\u003e\u003cbr\u003eEven at a curmudgeonly 20 years of age, (both versions of) Microwaves lean into the new material with the desperate enthusiasm of a 50-something peeling out in a midlife-crisis Corvette. Roman delivers his usual cyborg clatter, careening through odd meters and deconstructing rock drumming according to plans laid out by Beefheart and Devo. MacGregor complements with tortuous lines that invoke eastern melodic ideas at times, though they seethe with distortion and gurgle queasily through analog filtering. His vocal palette has widened to include an unhinged\/unschooled falsetto and a Teutonic metal shriek, used to great effect on “Hammerspace” alongside Kuzy’s wavering, town-crier bark. Kuzy executes his trademark spindly atonalities with a draftsman’s precision, alternately ratcheting through all of the first-wave thrash-metal riffs he probably ever wanted to hear. Moore’s performances on side “Plasma” present a tighter and more reeled-in quality, focused on timbre and monolithic repetition over the flash of the past. In an all-time first for Microwaves, the standout “Your Dumb Guts” finds Moore serving up a vocal melody with stunning earworm potential.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46832869015844,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/micro_f2437e63-aeeb-4c5a-b797-b9ffcf363345.jpg?v=1693500957"},{"product_id":"end-of-the-line-s-t-lp","title":"End Of The Line s\/t lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3958425219\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEnd Of The Line s\/t lp\u003c\/p\u003e\n\u003cp\u003eEnd of the Line, the short-lived San Diego hardcore band that was in the right place at the right time. Existing during summer 1991, its membership boasted Matt Anderson, Scott Bartoloni and Aaron Montaigne of seminal 90s band Heroin, who, for the most part, had switched instruments. Further intensifying this lineup was leather-throated vocalist Cory Linstrum. A mutual appreciation of Bl’ast!, Faith, Void and SSD acted as its starting point, leading the band down the left hand path of chaotic punk and hardcore. EOTL played a dozen shows during its brief reign. Its teeth were cut appearing alongside Aspirin Feast, Say No More, Struggle, Undertow, Downcast, Media Children and Blatz (among others), before obtaining an opening slot on a Born Against\/Rorschach show. The display of raw pandemonium unleashed that evening saw End of the Line’s buzz spread to the East Coast as these bands returned from tour. Rapidly a bidding war began with EOTL in the middle. Vermiform offered a seven-inch deal, while Ebullition dangled the opportunity of a full length. The band chose the full length. Having previously recorded three tracks, EOTL now had the opportunity to record the rest of its set for posterity. The band was aware it wouldn’t last much longer. Heroin would be releasing its own LP and leaving for tour, while Linstrum would relocate to the Bay Area to front John Henry West. It was during these recording dates that End of the Line concluded with its final appearance, a September 1991 show with Fugazi and Jawbreaker. Without an active band to promote the release, Ebullition’s version of the End of the Line LP wallowed in obscurity, where it slowly became a cult classic of early 90s hardcore. Let End of the Line crush your eardrums like an artillery shell, leaving you in the mud with the rats, lice and dogs!\u003cbr\u003e\u003cbr\u003eThis record has been remixed and remastered by Tim Green (Nation Of Ulysses\/The Fucking Champs) at LOUDER studios.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46833275928868,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/endoftheline.jpg?v=1693504839"},{"product_id":"haunted-horses-the-worst-has-finally-happened-lp","title":"Haunted Horses – The Worst Has Finally Happened lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1182950706\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHaunted Horses – The Worst Has Finally Happened lp\u003c\/p\u003e\n\u003cp\u003eHaunted Horses is an industrial-punk trio hailing from Seattle, WA. Their sound is thunderous and chaotic, utilizing a wall of noise techniques through an onslaught of keys, guitars and drums. Myke Pelly’s off kilter drumming and Colin Dawson’s architectural noise structures create jittery post-punk that is both upbeat and gloomy. Most recently, the band enlisted Seattle-based bassist Brian McClelland of Filth is Eternal and He Whose Ox is Gored, creating an added level of heavy rhythmic noise that not only contributes an exciting dynamic layer to the album sonically, but to their already-captivating live performance as well. The bleak vocals are persistently ominous in a seductive way, conjuring up the nightmarish aura of a dissonant horror-film soundtrack. With reviewers like Anthony Fantano (Needle Drop) likening their previous work to legendary bands such as Swans, Bauhaus, and Killing Joke, Haunted Horses carry on the tradition of noise that can terrorize as well as entrance, oftentimes simultaneously. This is evident in the list of hard-hitting contemporaries they’ve shared the stage and toured with, including Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher. Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Street Sects, Ho99o9, and Uniform will find Haunted Horses a welcome addition to their lexicon.\u003cbr\u003e\u003cbr\u003eThe Worst Has Finally Happened was recorded and mixed by Bob Cheek and is available digitally as well as on limited vinyl.\u003cbr\u003e\u003cbr\u003eThe Worst Has Finally Happened continues in the band’s approach to music as a battering ram into the brain, now as a trio with Myke Pelly, Colin Dawson, Brian McClelland (Filth is Eternal, He Whose Ox is Gored). Sounds sway from mechanical heartbeat thumps and the delay-drenched beeping of echolocation radar devices tracking down a potential victim in “Swarms,” to something resembling an alarm signifying Chernobyl-strength a nuclear meltdown in “Thorns.” Everything feels perfectly orchestrated to leave the listener on edge. It’s hard to tell if Haunted Horses’ music is meant for the hunter or the hunted, but either way, it holds on tight, sinks its claws in and doesn’t let up.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46833300078884,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/hauntedhorses.jpg?v=1693505016"},{"product_id":"swing-kids-anthology-lp","title":"Swing Kids – Anthology lp","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=579193618\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\n\u003cp\u003eSwing Kids – Anthology lp\u003c\/p\u003e\n\u003cp\u003eSwing Kids formed in the mid 90’s out of a mix of obscure punk, hardcore, and geography-specific social politics. The band, made up of Justin Pearson, Jose Palafox, John Brady and Eric Allen drew inspiration from jazz and swing era ethics, creating a strand of genre-defying music. The band was short lived, documenting their entire existence in a handful of songs\/releases over a couple of years. The band did their last few shows recruiting Jimmy Lavalle who was part of notable acts such as The Locust, The Crimson Curse, The Black Heart Procession, Gogogo Airheart, and Album Leaf, to play second guitar. Then the unexpected happened; guitarist and founding member of Swing Kids and Unbroken, Eric Allen, took his own life. Over a decade later, and Eric still lives on in his music. The final chapter of the band was written, as the remaining members had the opportunity to play two benefit shows in Southern California raising thousands of dollars for charity. The shows, or “funerals” as the band members looked at it, displayed that the band’s spirit will live on, and showcased the evolution of the remaining members’ musicianship. Jose Palafox went on to play in notable acts such as Bread and Circuits, Yaphet Kotto, and Baader Brains. Bassist John Brady has since played in Sweep The Leg Johnny and Agonista. Vocalist Justin Pearson is known for contributing to a multitude of bands and projects over the years including Dead Cross, The Locust, Retox, Planet B, Head Wound City, and Deaf Club.\u003cbr\u003e\u003cbr\u003eOne of Three One G’s earliest releases was Swing Kids’ S\/T 7” EP, which featured four original tracks as well as a harsh version of Joy Division’s “Warsaw”. Soon after the band released this EP, they followed up with a split 10” EP with Spanakorzo, which shared band member John Brady. After a few short tours and a jaunt over to Europe, the band called it quits due to drummer Jose Palafox relocating to the Bay Area. Swing Kids did manage to track one last song, “El Camino Car Crash” which is the additional track on the digital follow-up of the band’s entire collection, simply titled “Discography”. Over the years, this nine-song collection would become a staple for the Three One G community. After the sudden and immense loss of founding member Eric Allen, the band reformed to play two charity shows in his memory, and the documentation of this final chapter was a self-titled 7” single featuring an updated version of “Situation on Mars” as well as a new track titled, “Fake Teeth”. For the first time, all of these tracks have been remastered by Brent Asbury and are in one physical release, the complete “Anthology”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46926496399652,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/sk_acbf87e0-c73d-4f48-b9d9-b5275e6735ef.jpg?v=1694105927"},{"product_id":"satanic-planet-s-t-lp","title":"Satanic Planet s\/t lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2230414092\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSatanic Planet s\/t lp\u003c\/p\u003e\n\u003cp\u003eSATANIC PLANET is the creation of Lucien Greaves (The Satanic Temple co-founder and spokesperson), Luke Henshaw (Planet B, Sonido de la Frontera), Dave Lombardo (Slayer, The Misfits, Mr. Bungle, Suicidal Tendencies, Dead Cross), and Justin Pearson (The Locust, Dead Cross, Swing Kids, Deaf Club). With the birth of Satanic Planet, hip-hop producer Henshaw and punk provocateur Pearson joined co-founder and spokesperson of The Satanic Temple, Lucien Greaves– the most prominent and outspoken contemporary Satanist in the world. Greaves has gained international attention as an advocate for religious liberty and the voice of the Satanic Reformation, delivering lectures nationwide and featured in national media outlets including MSNBC, NPR, Huffington Post Live, CNN, Harper’s Monthly, Newsweek, Fox News, Vice, Salon, Rolling Stone, and many more. As the trio were diligently working, and nearly completed with, the music for their debut album, the worldwide pandemic hit, seemingly bringing things to a halt. However, with the onset of this new way of living, the newly-formed band was in a unique position to enlist the legendary Dave Lombardo, who found himself not touring for the first time in years, and suddenly having more time to work in his home studio on projects that interested him. With the addition of this iconic drummer, Satanic Planet was complete.\u003cbr\u003e\u003cbr\u003eHere, Greaves moves beyond spoken word and into lyricism, with the experimental musical backing of Henshaw, the demonic vocals of Pearson, and the diverse, score-like approach of Lombardo. Along the way, an eclectic range of guest appearances arise, including Cattle Decapitation’s Travis Ryan, Nomi Abadi, Silent’s Jung Sing, Shiva Honey, Eric Livingston (also known as his artist moniker, First Church of the Void), and Hexa’s Carrie Feller. This collaboration embraces the avant garde to create sci-fi sermons that range from doom and industrial to evil exotica. These dark musical soundscapes serve as a vessel to share the important messages that The Satanic Temple stands for, including religious freedom, highlighting the hypocrisy in dominant organized religions, and the horrific consequences of pseudoscience and malpractice still being utilized today in America.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46927064793380,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/sp_5a496b01-5551-4001-b86d-6c7640d80f37.jpg?v=1694110249"},{"product_id":"metz-acid-slow-decay-7-record","title":"Metz – Acid \/ Slow Decay 7\" record","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178874117\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMetz – Acid \/ Slow Decay 7\" record\u003c\/p\u003e\n\u003cp\u003eMETZ have once again formed a noisy symbiosis with Three One G, releasing their second 7” with the label. Written and recorded during the 2017 Strange Peace sessions with Steve Albini, these two beloved offerings, initially left on the cutting room floor, were revisited, reworked, and ultimately reinvigorated during the early days of the Covid-19 pandemic. With “Acid” and “Slow Decay” the Canadian trio continue to break new ground while honing their ever-evolving nuanced approach to pummeling rhythms and off kilter melodies. Of track “Acid,” the band describes it as “a song about having a fresh perspective, a newly widened outlook on the world and one’s life. Being shaken awake from a malaise and realizing there is no time for petty bullshit. Love what you love, love who you love! Embrace it and don’t wait.” Indeed, a fresh perspective and a sense of urgency is something Metz always manages to offer. This 7″ is now being physically released for the first time via Three One G, limited to 1000 copies, with one side of the vinyl being specially printed by The Black Moon Design, and featuring cover art by Jonathan Bauerle.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46927073542436,"sku":"","price":10.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/metz.jpg?v=1694110431"},{"product_id":"silent-modern-hate-lp","title":"Silent – Modern Hate lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009484425\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSilent – Modern Hate lp\u003c\/p\u003e\n\u003cp\u003eSilent was founded in Mexicali, Baja California in 2015 by Jung Sing and Alex Lara. The band released their first LP, “A Century of Abuse”, on Three One G Records the following year. Since, they have only released a cover of The Cure’s “Prayers for Rain”, making this long-awaited upcoming sophomore LP their first full-length in five years. Silent’s music takes on various aural approaches, flowing between hypnotic, gothic and darkwave influence, as well as more fast-paced punk and post-punk, at times even crossing into the realm of catchy, surf-like riffs. Though Rocio Chavez’s drumming, Rodo Ibarra’s (Maniqui Lazer) bass, and Alex Lara’s guitar lines vary depending on the track, Jung Sing’s (Maniqui Lazer, All Leather) vocals are a common thread throughout, consistently emitting honeyed grief: soothing but woeful, desperate and yet in no rush, perhaps calling to mind something in the spirit of a Mexicali-reincarnated Nick Cave.\u003cbr\u003e\u003cbr\u003eFor this record, an ever-evolving work in progress on and off over the last five years, the focus culminates in what is happening around the world right now. “MODERN HATE” represents “all the racist, supremacist bullshit” that has come to the surface again as a new form of rage and hate, not only in America, but across the world, whilst also considering all of the mass shootings and killings that have happened across the US over the years. The albums title was inspired by some of these heavy influences and the theme continues lyrically with a focus on the disturbing flaws of people and religion, love and dreams. The record was meant to be released in 2018, but was put on hold while they went on short hiatus to address some of their differences. At the same time, Silent’s former drummer, Andrea Varela, quit, leading the band to Rocio Chavez and this felt like a new start that called for relearning, reshaping and retouching some of the tracks.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46927083176228,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/silentmh.jpg?v=1694110608"},{"product_id":"silent-a-century-of-abuse-lp","title":"Silent – A Century Of Abuse lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=154940407\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSilent – A Century Of Abuse lp\u003c\/p\u003e\n\u003cp\u003eMiles Davis said that “it’s not the notes you play, it’s the notes you don’t play”. It’s when one is silent that sound suddenly becomes the most meaningful, the most necessary—moments of reflection or restraint punctuate the importance of what’s there versus what’s not. This is the case not only in music, but in history and in daily life. Framed in this way, a band named Silent suddenly seems like less of a paradox and more of an awareness. This is especially the case when considering their album title, “A Century of Abuse”, of which one could draw many connections between oppression and silence.\u003cbr\u003e\u003cbr\u003eCreated in Baja California, Silent’s music takes on various aural approaches. Interludes bring forth hypnotic sounds that have an almost cinematic quality, all heartbeat and boots on cement rhythms with sunsets on a desert landscape distortion. Other tracks take on a more fast-paced approach, sometimes even crossing barriers into catchy, surf-like guitar riffs. While Andrea Varela’s drumming, Rodo Ibarra’s (Maniqui Lazer) bass, and Alejandro Lara’s guitar lines do vary quite a bit depending on the track, Jung Sing’s (Maniqui Lazer, All Leather) vocals are a common thread throughout, consistently emitting honeyed grief: soothing but woeful, desperate and yet in no rush, perhaps calling to mind something in the spirit of a Mexicali-reincarnated Nick Cave.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46927100870948,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/silentcen.jpg?v=1694110831"},{"product_id":"get-hustle-rollin-in-the-ruins-lp","title":"Get Hustle – Rollin In The Ruins lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466184843\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGet Hustle – Rollin In The Ruins lp\u003c\/p\u003e\n\u003cp\u003eGet Hustle will put you on your knees, turn you over and turn you out. And Just when weary old life and weary old music seems to be so hopeless, there comes along an album so powerful and prosperous like “Rollin’ in the Ruins”. The Get Hustle have existed for nine years and have consistently made albums that amaze. Records including the “I’ve Got a Gun and I’m Excited” 7″ single (GSL) and “Now We’re All Gone” 12″ EP (GSL), the “Earth Odyssey” CD (5RC), the single “Who Do you Love” b\/w “Mad Power” (Gravity), and the bands Three One G debut 12″ EP, “Dream Eagle”. Now, “Rollin’ In the Ruins” is here. So intense, so explicit, and so far ahead of its time, a miraculous continuance of the chronicle that is Get Hustle.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46997462647076,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/ghrolling.jpg?v=1694707265"},{"product_id":"head-wound-city-s-t-12","title":"Head Wound City s\/t 12\"","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272482783\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHead Wound City s\/t 12\"\u003c\/p\u003e\n\u003cp\u003eGet to “Prick Class” so you too can listen to fingernails singing on the chalkboard. With this geographical musical mess, you have two parts Blood Brothers (Jordan Blilie and Cody Votolato), two parts The Locust (Gabe Serbian and Justin Pearson), and one part Yeah Yeah Yeah (Nick Zinner). This is the redefining of bastardized music genres, a wake up call to contemporary music. As Jordan Blilie put it, “Its kinda like, if Alien and Predator started a band instead of fighting each other.”\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46997490434340,"sku":"","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/hwc.jpg?v=1694707487"},{"product_id":"orthrelm-2nd18-04-norildivoth-crallos-lomrixth-urthiln-lp","title":"Orthrelm - 2nd18\/04 Norildivoth Crallos-Lomrixth Urthiln lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3421665872\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOrthrelm - 2nd18\/04 Norildivoth Crallos-Lomrixth Urthiln lp\u003c\/p\u003e\n\u003cp\u003eHere you have two shred wizards from DC and San Francisco making every hesher shit their shorts with the sickest and most twisted sounds to ever hit planet Earth. This dynamic duo counts such acts as Crom Tech, ABC’s, Quixotic, and The Flying Luttenbachers amongst their pedigree. Recklessly pureeing death metal, avant-jazz, modern classical, and world music, Mick Barr and Josh Blair have seen the future, and it is wonderful, because they created it with their own hands.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46997528445220,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/orthrelm.jpg?v=1694707781"},{"product_id":"cattle-decapitation-homovore-lp","title":"Cattle Decapitation – Homovore lp","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776277574\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eCattle Decapitation – Homovore lp\u003c\/p\u003e\n\u003cp\u003eOver the course of its existence, the San Diego-based Cattle Decapitation has transformed from a stripped-down gore-grind side project of the arty hardcore\/grindcore band The Locust to a full-fledged death metal band of their own, undergoing a confusing maze of lineup changes in the process. Their association with The Locust formed much of the original basis for their popularity in hardcore circles, which was unusual for a band that growled out the type of disturbing, gore-oriented lyrics usually reserved for Carcass\/Cannibal Corpse audiences. However, as the years went by and their connections to the Locust finally severed personnel-wise, it became clear that they were indeed a real band of their own, not a side project; they eventually signed to established metal powerhouse label Metal Blade Records and, musically, took on more of a professional death metal sound while retaining their original pro-vegetarian\/gore-oriented lyrical stance. Cattle Decapitation originally formed in San Diego in 1996. The lineup featured David Astor on bass and Gabe Serbian on drums — both of whom were then also members of The Locust — as well as an unknown guitarist\/vocalist, who soon allegedly vanished without the other members knowing anything of his whereabouts. Seeking a replacement on vocals, the band turned to Travis Ryan. With Ryan on board, Astor moved from bass to drums, and Serbian moved from drums to guitar. This lineup quickly released two albums, the Human Jerky LP and the Homovore CD\/LP. Cattle Decapitation has continued its rise since with nine album releases to date, continuously growing and changing its lineup and musical approach, all the while gaining notoriety and touring relentlessly.\u003c\/p\u003e","brand":"Three One G Records","offers":[{"title":"Default Title","offer_id":46997560623396,"sku":"","price":25.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/files\/cthomo.jpg?v=1694707980"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/0952\/collections\/31g.jpg?v=1686239435","url":"https:\/\/www.stickfiguremailorder.com\/collections\/three-one-g-records.oembed?page=6","provider":"Stickfigure Mailorder","version":"1.0","type":"link"}